Tips On Crime Prevention

By: J. Pinkerton

Minimize the amount of money and credit cards that you carry with you on a daily basis to avoid theft. In the event that you need money or credit cards, steal them.

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When being robbed, remain as calm as possible. Don’t make any quick or sudden movements. Often the criminal is as scared and nervous as you. Remember: over 45 percent of first-time robbers are bears.

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Always carry some form of identification. A label in your clothing will help police to identify your severely mangled, repeatedly penetrated corpse in the event that you are severely mangled then repeatedly penetrated by an attacker.

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A bag that dangles from the shoulder can be easily yanked off your shoulder by someone coming up from behind. Glue all belongings to your face and body with fast-binding adhesive.

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While enjoying a walk in a city park, take care to avoid hilly and steep paths. If you should fall and roll down a hill, thieves may rob you on the way down, and you will be powerless to stop them.

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Closely supervise your children when they play in public areas. If you spot them being robbed, run as quickly as you can to the parking lot and lock your belongings in your car. Do not remove them until the robber has finished robbing your children and is safely on his way.

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Weld your garage door shut at night to prevent car theft. In the morning, drive through the garage door at full speed, immediately dispatching any burglars attempting to break in from the other side.

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Stay on well-lit, populated streets at all times. It is a well-known fact that thieves will never attempt to rob you in crowded, distracting areas with the harsh glare of the sun in your eyes.

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When explaining the details of a crime to authorities, be sure to omit certain details while inventing others. Tactics like this keep the instincts of our city’s fine detectives honed and whip-sharp, where they need to be.

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Should someone attempt to verbally harass you, continue walking and ignore them. Responding to this kind of behavior will only escalate the situation. Instead, follow them home at a discreet distance. When they fall asleep, kill them.

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Carry large sums of cash on your person at all times. Displays of wealth make robbers feel too depressed about their own state in life to rob you.

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Never leave luggage or other expensive items unattended at airports or taxi stands. When extinguishing a cigarette in a designated airport smoking area, take care not to leave any Rolex watches in the ashtray by accident. Never carry your wallet in your rear pants pocket. This makes your butt look fat. Instead, keep your wallet out at all times, “fanning” your money outwards in a Ted DiBiase-like display of wealth, so that females — and not robbers — become attracted to you.

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When driving, travel on well-lighted, populated roadways whenever possible and keep the doors of the vehicle locked. Be wary of other motorists who give you vague warnings while on the road. In 78 percent of cases, this means that the stranger you are conversing with on your cell phone has a hook for a hand, and is actually in the backseat getting ready to ventilate your skull. The other motorists aren’t harassing you — they have been trying to warn you, all along.

A Bare Bodkin, Or: One Lunch, Naked, To Go

By: Kurt Luchs

Once in a millennium, it is an editor’s sacred privilege to play midwife to a writer of earthshaking significance and eye-rolling originality. Unfortunately, that hasn’t happened to us yet, but until it does we are honored to introduce our readers to Richard Bodkin, or “the San Francisco Earthquake,” as he is known to intimates. Mr. Bodkin, our readers; readers, Mr. Bodkin.

For years, Mr. Bodkin has been jotting down odd thoughts at odd moments, using dinner napkins and playing cards for stationery, and then stuffing the scraps into his hatband and losing the hat. Such retiring habits are no boon in the rough-and-tumble arena of literary backslapping and backbiting. Bodkin has never sought after eminence; nor, up to now, has it shown any interest in him.

We hope to change all that. Below are printed, for the first time anywhere, the collected works of Richard Bodkin. Spanning the years 1944 to 1990 (“the prolific period”), they readily demonstrate why Robinson Jeffers referred to Bodkin as “that fat, slobbering stinkbug,” and why T.S. Eliot, upon meeting Bodkin for the first time, felt it was an act of simple Christian charity to smother him with a pillow. Luckily for Bodkin, Edna St. Vincent Millay was in the room at the time. After an impassioned argument, she convinced Eliot to give her the pillow, and was attempting to smother Bodkin herself when the police raided the joint.

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The Scum Also Rises (an excerpt)

Brad sat in the only café in the little Spanish town and drank a bottle of the local wine. He did this by pouring the wine into a soiled piece of gauze and wringing out the bandage over his face, catching the drops with his tongue as they fell. The gauze had been with him in the War. It was all he had left. That and some chewing tobacco.

“This is a good café,” he said in English to the waiter, “and good wine, and I am a very good boy.” The waiter smiled that childlike Spanish smile and emptied a pot of coffee into Brad’s lap. Brad laughed bitterly at the man’s quiet courage. He had been brave once. Now he was a coward. Worse than a coward. A fool. Worse than a fool. In love.

Lady Bitcherly walked in and took the waiter in her arms and kissed him and gave him her room number, saying it loudly and slowly in Spanish. The waiter began to smile that smile again but was interrupted by Brad’s wine bottle breaking over his head.

“Good bottle, that,” said Lady Bitcherly.

“Good waiter,” said Brad. “Why the hell don’t we take him up to your room and give him what for?”

“Why the hell not?” she said. He knocked her out and began to drag them both upstairs. This is what war is like, he thought.

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Bodkin’s first and only novel, of course, went unpublished during his lifetime, like all of his work. Still, he had the admiration of the critics. Edmund Wilson called this manuscript “the sort of thing a carnival pinhead might produce after drinking a gallon of rotgut and spending a weekend on a tilt-a-whirl.” It was praise like this that kept Bodkin writing until he was struck down several years ago by a trolley car going uphill. He wasn’t killed immediately, although the conductor went back over him several times to make sure. He was taken to a trauma center by a squad car, and pronounced dead on arrival by the doctor.

“No, I’m not,” he said weakly.

“We’ll soon take care of that,” replied the doctor, at heart a kind man who couldn’t stand the sight of suffering. He administered a dose of strychnine to Bodkin and waited for the results. Bodkin asked for a sheet of paper and a pencil, and in a few moments had composed his only known book of poetry, To Hell in a Handbasket.

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A Poem

I think that I shall never see

A thing as lovely as me.

This somewhat stilted poem was Bodkin’s first attempt at verse, and as such is understandably traditional in its rhyme scheme. In his later poems (about three minutes later) Bodkin abandoned rhyme for a verse structure so free as to be promiscuous. As Robert Frost once said of Bodkin’s prose works, “If Bodkin’s blood could but be spilled/And his mewling forever stilled!” This heartfelt comment applies equally to Bodkin’s verse output.

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Another Poem

Ha ha! Fooled you, didn’t I?

Bodkin rarely showed his sense of humor, and the above poem reveals why. In it, Bodkin anticipated the Beatnik writers, but in typical fashion he was 35 years too late. Because of this literary historians seldom class him with the Beats, and he is most often classed with the nematodes (in the words of Daniel Webster, “any of a class or phylum of elongated cylindrical worms parasitic in animals or plants or free-living in soil or water”).

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Yet Another Poem

This time I’m going to write one if it kills m–

Of this last of Bodkin’s works, what can be said? Sic transit gloria mundi.

Yule Blog

By: Dan Fiorella

December 13

The elves have been whining about getting cable installed. What’s the big deal about cable? Sure, reception is improved, but it goes out all the time. And how many times can you watch Weekend at Bernie’s? The man’s dead. Those sunglasses aren’t fooling anyone. Either way, I ain’t springing for anything unless those tiny bums finish wrapping presents.

December 14

Reindeer have some virus and have been sleeping a lot lately. Mrs. Claus mixed some orange rinds and a handful of old echinacea capsules into their slop trough this morning, so I’m hoping that’ll help a bit. Donner’s been complaining of stomach pains too, but I told him to shut up or go try finding work elsewhere. If he thinks there’s a lot of jobs posted on Monster.com for flying reindeer with stomach pains that whiney fur bag has another think coming.

December 15

Guess what? It’s Geraldo at the door again. He’s trying to prove that I run some kind of polar sweatshop violating child-labor laws. I tried to explain that the elves are, like, 120 years old and haven’t been children since Geraldo himself was the son of a wee sperm in his great granddaddy’s testicles. No good. He called his studio truck over to our front door and I had to get Dancer and Blitzen to charge him. Who’s gonna buy his story now? Yeah right, Santa Claus himself beat up, Geraldo? No one’s buying, Gerry. Don’t even try it.

December 16

Those damn coal miners have jacked up the price of coal again. They do this every year. And they have me over a barrel. They know that there are more bad kids then ever. Any foul-mouthed little puke with their hair dyed like Eminem is getting an extra lump.

December 17

Got another of those heart-wrenching letters from a poor child: “…you don’t have to get me anything Santa, but could you get my mom a warm coat?” Sure, kid. Like you aren’t just playing the good-kid card to score yourself an XBOX. What, do people everywhere think I’m an idiot now? I’ve been around for thousands of years and the tricks never change. Santa ain’t buying, Timmy. You want a warm coat? Sell your body.

December 18

Got drunk on rum and eggnog and passed out watching Seattle’s Santa Claus parade. And let me tell you, man, that is one sorry Santa Claus parade.

December 19

I have to get the freakin’ ASPCA off my back. They just sent me another letter asking about the conditions for the reindeer, claiming I’m cruel to them by underfeeding. Hey, ASPCA! You think fat reindeer can get off the ground? They can’t, and you better believe me, because I’m the only person in the entire world who owns any flying reindeer. The thinner they are, the better they fly. If your kids want any presents this year, ASPCA, you’ll shut up. Just shut up, ASPCA!

December 20

Woke up with a bad hangover. I smacked the elves around a bit in the shop, had my way with Mrs. Claus. Then we passed out while watching Scrooged. That Bill Murray cracks me right up.

December 21

Guess what I did today? It’s funny. I always do this. I went down to the kitchen pantry to grab some shortbread cookies and guess what I find? You know it. My lousy Advent calendar. Scarfed 21 chocolates and fell asleep in front of the fireplace.

December 22

Watched A Christmas Story again. Man, the Ralphie kid cracks me up. I wonder what ever happened to him? I should check my list to see. Actually…yeah, actually, forget it. Who cares about Ralphie? What was I even thinking? Now…I do believe there’s an Advent-calendar chocolate waiting for me by the fireplace. To the fireplace!

December 23

Today Mrs. Claus and I did our last-minute shopping. The elves can hammer a mean rocking horse, but they ain’t so good at creating Palm Pilots from scratch. Note to everyone who wanted a Palm Pilot for Christmas this year: You’re all godforsaken, Star Trek-convention-haunting nitwits.

December 24

Well, I’m off, to hell with no-fly zones. Donner’s stomach pains miraculously disappeared today, and the elves finished up everything at the last minute. Well, mostly everything. Hope you weren’t expecting much, Nigeria!

The Virginia Monologues

By: Dan Fiorella

Last night I attended the opening of a Yuletide play that is both powerful and provocative. This show is destined to be an annual holiday classic. It is The Virginia Monologues, by Mary Xmas.

The stage opens, bare, save for the three actresses seated on wooden stools. Ah, but what each does with her stool. The lead actress, Ginny O’Hanlon, begins the evening telling us what Christmas means to her: “I believe in Santa. No one else will. But I envision him on my roof. Making his way to my chimney. Slowly, tentatively, he enters. The prancing, the pawing. Yes, come down my chimney, Santa, come!” And this goes on for another 17 minutes. The female-centric play will take your notions of Christmas and knock them around like a piñata in a hammer factory.

One can only cry out “You go, sister!” when Donna Cannelloni takes center stage, stating, “I will kowtow to the public norms no more. I will reclaim my Claus. Take back my Claus from the commercialism, the garishness. My beloved bearded Claus. Claus. Claus. Claus! How I long for your lap.” Intensity has never felt so intense.

Once you get over the shock, the wincing is hardly noticeable, though my mom did say, “I can’t believe they allow people to say that kind of stuff in public.” These two actresses, along with their co-star, Norma Moldanado, display the breadth and depth of the female views of the holiday. It’s Ms. Maldanodo’s turn to rivet the audience when she takes center stage, proclaiming, “Naughty or nice? Who are you to judge? Who are you to judge me? You say you’re a saint, yet you break into my home and go through my things. Then, placing a practiced finger aside your nose, you once again pass through my flue.” As directed by Martina Beardson and choreographed by Ellen Eager, the performance pieces are a symphony of language, crescendos of passion and mistletoe.

This is a show in touch with itself. And it touches itself repeatedly. Especially in the third act. They mimic the concept of the tribal tales, with each actress waiting her turn to speak, left seated in the dark until she is handed the “Christmas Spirit” stick which gives her the floor. The stick is made to look like a giant candy cane, enhancing the holiday spirit of the evening.

The women are in fine voice as they expose the genre biases of the season. As Ms. O’Hanlon reminds us, “Christmas ‘carol.’ Christmas ‘Eve.’ Joy. Noel. Holly. So much exploitation of women. A birth celebrated. A woman’s job now controlled by the male-dominated society. How typical.”

The Virginia Monologues is now open for its annual run. And run you will. It’s a play that will have you on your feet shouting, “Lighten up, already!” Playing at the Indulgent Theatre — that’s theater with an “r-e,” so you know it’s classy.

Kevin K.’s Halloween Story: A Literary Analysis Of A Found Document

By: Mollie Wilson

Lying where it fell outside the elementary-school door, the worksheet looked juvenile enough — it was crossed by even, far-apart lines (designed for pre-cursive printing) and bordered by smiling spiders. One of the spiders had been scribbled over with an orange crayon, which added just enough color to give the paper an authentic Halloween look. The other spider was left naked: black and white.

The words on the page were what grabbed me. Instructed only to “write a Halloween story,” young author Kevin K. had printed, in blunt number two pencil, a gripping masterpiece of brevity and horror:

“One there was a Vampaimer that came to poelpes houses and there was a littel boy his mom tuun off the light but the vampamer came in his room he took the littel boy haet. The vampame went to the next the littel girl got into a pot of fire the Vampamer lagh Ha Ha Ha the girl died.”

What a find for a literary critic! In our electronic age, such breathtaking, Joycean creativity is seldom seen in handwritten manuscript form. I was instantly impressed with Kevin’s choice of a stock Halloween character, the vampire, to be his villain (or hero?), and how he subverted the obviousness of this choice by consistently altering the spelling. How fresh a familiar figure seems when our expectations are challenged! What does the added letter “M” do to our fear? And how do we cope with the shifting reality of “Vampaimer / vampamer / vampame / Vampamer”?

This, of course, is only the most basic of Kevin’s innovations. The scene in which the “littel boy” (a figure of the author?) is abandoned by his mother is a heart-wrenching echo of the universal experience of childhood. The mother knows nothing of the threat. The boy does not cry out. The Vampaimer is not held at bay. He enters, welcomed by the darkness, bringing, perhaps, enlightenment. “He took the littel boy haet,” Kevin writes, using an Old English, Beowulfian vowel combination to invoke his story’s profoundly traditional roots. Is it an accident that “haet” is an anagram of “heat”? It is, in fact, a clue to the climax of the story, grim foreshadowing hidden in an enigmatic sentence. We are left wondering what exactly the vampamer did to the littel boy — and as Kevin knows, the soul of terror lies in the unknown.

The story’s pacing as it builds to its climax is flawless. Kevin’s transitional sentence, “The vampame went to the next,” dangles like an inhaled breath cut off before it can manifest itself as a scream. Even the word “vampamer” has been truncated, almost carelessly (but with what care!), by a mere letter and yet by an entire syllable. At the eleventh hour, Kevin introduces a new character — or is it an old one? Is the littel girl just the littel boy’s mom, seen through different eyes? Or is it the littel boy himself, emasculated by his encounter with fear? (What exactly has the vampame done to the boy he “took haet”?) The littel girl, whatever her origin, does not wait to be acted upon. She “[gets] into a pot of fire” under her own terrible agency, thereby embracing illumination and reversing the initial act of the anti-Promethean mother who tried to extinguish the light.

The stark, existential ending of Kevin’s story is shocking, even haunting, in its cruelty. “The Vampamer lagh Ha Ha Ha the girl died.” There is no rescue for the girl. We have not yet learned to love her when she is stolen from us. The capital letters spike violently into space, towering over a chaotic, unpunctuated world.

Kevin K’s work is a prose poem of disturbing, exhilarating insight. No other Halloween coming-of-age tale has ever explored such explosively iconoclastic territory. My attempts to track down the author have been unsuccessful. For weeks I sat outside the school each afternoon, awaiting the final bell, but none of the children who poured through the doors bore any visible mark of genius, and the parents I questioned were brusque and unhelpful. The fliers I posted on the playground (“Don’t hide from your genius, Kevin K.! Let me understand you!” followed by my contact information) were torn down within hours — by the reclusive author himself? A jealous classmate? So I can do nothing but look forward to reading more, and hope that this exciting young writer drops another worksheet soon.

Tips On Babysitting

By: J. Pinkerton

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DO NOT allow strangers into the house unless your employer specifically informs you that they want you and their children to be brutally murdered.

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DO NOT tell a caller that you are the babysitter alone with children. Mentioning children can often be a turnoff for potential suitors. Focus instead on your articles of clothing, mentioning how they feel on your sensitive, downy young skin.

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DO bring items to entertain the children with, like coloring books, colored paper, color markers, tape, board games, puppets, pens, old newspapers, tacks, dirt, aerosol-spray cans, mail, Tabasco sauce, malt liquor, gasoline, bleach, currants, fast-food wrappers, and anything else you can grab ahold of. Lay these items in a pile in the center of the room and watch as the imagination of children takes hold. Feel free to use this time to rifle through their parents’ dresser drawers, or to masturbate vigorously in the bathroom, knowing someone could burst in at any time, thus adding to the level of danger.

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DO NOT go outside to investigate suspicious noises or activities. Any suspicious noise should immediately be responded to with as much buckshot as you can fire through the front doorway, followed by a confident, “How you friggin’ like me now, Osama?”

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DO keep matches locked away from children. Be sure to let them know that you are doing this only because matches have magical properties that give their user the power to cast any object aflame, like a wizard.

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DO NOT leave a child alone in a bathtub, unless the call is very very important, like from your boyfriend.

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DO NOT allow the children under your care to place garbage bags over their heads, unless you have poked a hole in the top of the bag and you are certain you will be back from your friend’s place in under ten minutes.

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DO keep portable heaters away from play areas, curtains and furniture. Keep portable heaters close to the children at all times, so that you can be assured they are always warm and toasty.

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DO NOT allow children to hide in the refrigerator for any reason. Pick one child at random and place them in the refrigerator for at least 40 minutes, to illustrate the dangers inherent in this activity.

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DO show children how to stop, drop and roll in case their clothes catch on fire. Remind them that their sudden combustion is a very real possibility, and should be feared at all times. Add that it often happens as a child is falling asleep.

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Leave The Gun, Take The Cannoli: A Wiseguy’s Guide To The Workplace

By: Kurt Luchs

You probably know me as America’s foremost business guru, the author of motivational bestsellers like Who Moved My “Who Moved My Cheese” Book?, Swimming With Inflatable Sharks, and Good To Great Depression: Seven Ways To Make The Collapse Of The World Economy Work For You. If you bought any of my earlier books, I thank you — and I also pity you, because they have all been rendered useless by this one, my magnum opus.

You see, in scouring the globe for the most valuable business strategies, I was looking for the love of money in all the wrong places. Sure, the owners and managers of the great multinational corporations love money. They love it enough to steal, lie, and cheat for it…but so few of them love it enough to kill for it.

That’s what separates them from the real business geniuses — the men who run the Mafia. These guys will kill for money. They know how to make it — and how to keep it. Not one of them has ever filed a corporate tax return or issued a shareholder’s report — and yet profits roll in year after year. You want to see how a real business organization runs? Look at organized crime. You want real business wisdom? Ask a wiseguy. Problem is, he won’t tell you, and if he did then he’d have to kill you.

Fortunately, I am under no such constraint. I spent the last few years studying the ways of the Mafia, the mob, the Cosa Nostra, or whatever you want to call it. I read police reports, court transcripts, the screenplays for all three Godfather movies, and other vital wiseguy documents. I even talked to Vinny down at the cigar store (whenever he wasn’t on the phone to his bookie). Then I entered the Witness Protection Program to write this book, which brings you all the greatest gems of wiseguy strategy in one convenient volume.

Unfortunately, many wiseguy sayings and ideas are convoluted — some would say “twisted” — and hard to understand. That’s why I’ve thoughtfully provided explanations after each bit of advice. Let’s face it: If you were already wise, you wouldn’t need to listen to real wiseguys like these. But it’s never too late to wise up and start moving up your own corporate ladder! Let the lessons begin.

Choosing A Career

May Emmerich: Oh Lon, when I think of all those awful people you come in contact with — downright criminals — I get scared.

Alonzo D. Emmerich: Oh, there’s nothing so different about them. After all, crime is only…a left-handed form of human endeavor.

— The Asphalt Jungle

(Whereas business is a left-handed form of human endeavor where everybody has two left hands, and the first left hand doesn’t know what the other left hand is doing.)

Getting Ahead: Tips For Success

Teittleman: Do you have a daughter, Mr. Soprano?

Anthony “Tony” Soprano, Sr.: Yes. Call me Tony.

Teittleman: What would you do if your daughter was abused by her husband?

Anthony “Tony” Soprano, Sr.: Talk to him —

Silvio Dante: Yeah, [with] a ball peen hammer.

— The Sopranos (“Denial, Anger, Acceptance,” Season 1)

(You can’t do the job right without the proper tools.)

Getting Along With Your Boss

Marlowe: You know what he’ll do when he comes back? Beat my teeth out, then kick me in the stomach for mumbling.

— The Big Sleep

(And dock your pay for getting blood on his shoes.)

Getting Along With Your Coworkers

Dr. Jennifer Melfi: What was the last time you had a prostate exam?

Anthony “Tony” Soprano Sr.: Hey, I don’t even let anybody wag their finger in my face.

— The Sopranos (“Pax Soprana” Season 1)

(Respect boundaries.)

Effective Communication

[Jules shoots the guy on the couch during Brett’s interrogation]

Jules: Oh, I’m sorry. Did I break your concentration?

— Pulp Fiction

(When their attention wanders, gently but firmly return them to the topic at hand.)

Job Descriptions

Carlito: You a gangster now. You can’t learn it at school…you can’t have a late start.

— Carlito’s Way

(However, the hours are good, and look at the benefits!)

Office Politics, Office Etiquette

Walter Brown: You make me sick to my stomach.

Mrs. Neall: Well, use your own sink.

— The Narrow Margin (1952)

(Interdepartmental cooperation is a joy to behold.)

Business Ethics

Harry Lime: In Italy for 30 years under the Borgias they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland they had brotherly love; they had five hundred years of democracy and peace, and what did that produce? The cuckoo clock.

— The Third Man

(Very clever observation — until you realize people actually buy cuckoo clocks.)

Learning From Your Mistakes

Bernstein: Every day above ground is a good day.

— Scarface (1983)

(On the other hand, every day underground will be a day you don’t have to sit through a staff meeting.)

Managing Through Intimidation

Joel Cairo: You — you imbecile! You bloated idiot! You stupid fat-head!

— The Maltese Falcon

(Keep job reviews short and to the point.)

Beating The Competition — Literally

Bill the Butcher: I’m going to paint paradise square with his blood. Two coats.

— Gangs of New York

(To beat the competition, you must be prepared to work twice as hard.)

Doing Business Like A Wiseguy

Nice Guy Eddie: We got places all over the place.

— Reservoir Dogs

(Be intimately familiar with all your branch offices.)

Dealing With Change…Or The Lack Of It

Tom: No money, no weed. It’s all been replaced by a pile of corpses.

— Lock, Stock and Two Smoking Barrels

(If life gives you corpses — use them for fertilizer, grow your own weed, and make all that lovely money back!)

The Last Word

Tony Montana: I kill Communists for fun.

— Scarface (1983)

(If you can’t enjoy what you do, what’s the point?)

I’ve Got An Idea

By: Helmut Luchs

I’m a writer. I live in Hollywood. I write for network television. I’ve got an idea. It’s incredible. It’ll be the best thing I’ve ever done. It’s full of pathos and humor. The effect will be awe inspiring. People will laugh and cry and pull their hair out with both hands.

Oh, wait…I’ve got another idea. This is ten times better. Instead of the girl boarding the train and riding to Peoria to see her sick uncle, she robs it. She’s nude, she has no gun, she just asks for the money and they give it to her. They have to. It’s in the script.

Oh, wait, damn it — they won’t let me show full-frontal nudity on network television. Yet. Damn, damn, damn! I wanted to say something even stronger than that but they won’t let me use those words in articles about writing for network television, let alone in writing for network television itself. Yet. But back to the naked girl robbing the train — how long will we writers be held back by such infantile taboos? Oh, well, she can be in her underwear or something. I read an article somewhere which said that women with some clothes on are sexier than those with no clothes on. I wonder if that’s true? I know my wife is sexiest when she’s under the covers and I can’t see her at all.

My wife and I are getting a divorce. Did I tell you? It’s just like that movie Unfaithful except she doesn’t look like Diane Lane and I don’t look like Richard Gere…or like Diane Lane. I could’ve written that movie, you know. In fact, I’m going to — for TV. I don’t mean I’m going to write it exactly, but something similar, you know, something suspenseful and erotic and ironic and so real you could swear you were there.

You know, the great thing is that my wife and I love each other more now than we’ve ever loved each other before. Really, it’s true. Ours is a deep love burning with a hard, bright, jewel-like flame. We just need a little space apart from each other so we can grow. I kid her about it and say, “Why do you want to grow, you’re already six-foot-three?” Then she slaps me in the face with the strength of a mountain gorilla and I go flying into the wall again, but she doesn’t really mean it. She loves me.

I wonder where my wife is, she should’ve been home hours ago. Oh, wait, that’s right — she moved to Florida or someplace. Lord, I love that woman. I have to write this down, it would make a great sitcom. A man forgets that his family moved to Florida. Or someplace.

I’d better work on that one right now before I forget it. The naked girl on the train can wait. I’m not sure I like the idea anyway. You’re probably wondering what the hell I’m talking about. Did I forget to tell you? I’m a writer. I live in Hollywood. I write for network television. And I, my friend, I have got an idea. Oh, wait — what was it?

Damn.

Cereal Around The World

By: Matt Weir

As men, and sometimes even women, know, cereal is an integral part of life on this mild and temperate planet we call Earth. Cereal governs the most basic of all human interactions, and, well, even if it doesn’t, it should is my point. Basically, what I’m saying here is that cereal is really, really good. It’s really good to eat cereal and milk from a bowl. Much better than eating a bowl full of just milk, certainly, and almost infinitely better than eating a bowl unfull of cereal. Now, I know what you’re thinking. Does everyone really love cereal as much as us? Well, of course they do. Here look, I even did a little slapdash research on the Internet to see how people eat cereal everywhere else in the world and look what I found:

Chile


In Chile, cereal is always eaten in a room with at least one dozen piñatas hanging from the ceiling. A mariachi band is most always present, but if all area mariachi bands are already booked, then listening to a Gloria Estefan record will suffice. Never ever listen to the Green Jelly album Cereal Killer. Also, instead of a spoon, use a maraca.

Transylvania


While biting the neck of a young, attractive woman, pour the desired crunchy cereal bits over her neck, mixing the flowing blood with the cereal to create a tangy, crispy treat. Note: Be mindful of the HIV.

Southern California


Instead of a bowl, place cereal inside of a pita. Substitute sprouts and avocado for milk. Surf while eating as necessary. Also, between bites, elect a crappy governor.

Arabia


Rub your breakfast lamp to summon the cereal genie. For your first wish, ask for a bowl of cereal. For your second wish, ask for a quart of milk. For your third wish, ask for a thousand and one spoons, one for each member of your harem. Sit back as they feed you, anoint you with oils, and fan you with peacock feathers — all while belly-dancing.

Greenland


I can’t think of a racial-stereotype joke for this country.

Egypt


Q. Why don’t Egyptians pour milk on their cereal?

A. They don’t need to — their mummies do it for them.

Chechnya


This is just like America, except instead of pouring the cereal into the bowl and then adding the milk, you do not eat at all, for this country is ravaged by war and is very poor.

The Fifth Dimension


As you float, simply use the giant glowing polygon to magnetically attach the cereal to the gaping mouth now located on your right shoulder. Remember to do this to the beat of the propulsive dance music streaming from all directions.

A Sensible Proposal

By: J. Pinkerton

So.

Let’s kill the homeless.

And please — don’t misunderstand me. I don’t mean to throw around a line like “we should kill the homeless” loosely. No, I wouldn’t suggest for a second that we should “kill the homeless” as some kind of trite, tongue-in-cheek Swiftian homage. You, the reader, are above that. I’m above that. Even if you’re not above that — well, I am.

So, no — I don’t say “we should kill the homeless” satirically, but rather as a means to say that we should quite seriously eradicate them off the face of the earth, leaving nothing but silence and a thin, cartoonish wisp of smoke.

Not kill them to eat them. Not kill them as part of some grand, despotic, sociological design. Not kill them for entertainment purposes, even though it would be funny. No. Kill them simply so they’d be dead and never come back.

Now, before you jump all over me for this, please allow me the opportunity to explain. I think you’ll find my rationale sound, my reasoning as unblemished as buffed porcelain. First and foremost among my reasons, I should state clearly, is that I like my change. I enjoy change. I find it useful — for buying things and whatnot. Owning no washer/dryer combo, I find I’m constantly in need of it to wash my shirts and pants.

Following this line of reasoning to its logical conclusion, we should kill the homeless. When faced with the embarrassment and aggravation I would most certainly suffer in denying the homeless my laundry change when they ask for it, I propose that just getting rid of them altogether would make a lot more sense. Were they utterly dead, I could walk down a street without having to listen to them shriek like crazy people when I try to soberly explain that I can’t give them money to eat because I need to wash pants.

Bringing us to the second point: all that shrieking. Man. They shriek a lot, loudly, often about Jesus, and make no sense at all. One might begin to suspect, in fact, that they’re crazy — to which I put forward that this might very well be the case.

After all, they do live on streets. Chew on that for a minute, because it’s pretty odd when you think about it. Streets are for walking and driving, not for sitting and shrieking. If you and I were walking down the street, for instance, going to, let’s say, a bookstore, though really we could be doing pretty much anything — I’m fairly easygoing, and if you had some errands or something to maybe run and you just wanted some company, I’d be up for that — but in any case, we’re walking, and suddenly I say “Excuse me” or something, sit down on the street, and start shrieking about Jesus.

“Whoa,” you might think. “This guy’s crazy.” Maybe you’re even rethinking the whole day, piecing together an excuse in your head to do your errands alone. And the whole time I’m breaking your concentration by yelling at the high threshold of human hearing that Jesus is the Savior of all mankind, and what do you mean you have to do laundry, give me money.

I’d bet safe money you’d think I was at the very least odd. Moreover, you’d be right. Well then, let me lay this on you — homeless people do that kind of thing all the time. They don’t even have errands. Or if they do, then all that yelling and begging probably is the errand.

This callous and wanton disregard for the mores of society would, I can safely assure you, stop very very suddenly if we were to really roll up our sleeves and kill all of them. Dead men tell no tales, after all. More to the point, they don’t shriek when you prop them up on street corners and put change cups in their stiff fingers. They’re actually soothingly quiet and unobtrusive. Like a waft of summer air off the ocean. Except dead, and with a tin cup.

Thirdly: homeless people are probably evil. One only has to use a modicum of common sense to figure out that anyone sitting and shrieking on streets when they should be mowing their lawns and watching real-life castaway shows is no doubt a shifty and suspicious villain of mystery. While everyone else sleeps honestly in their store-bought beds, foul-smelling men are stalking our good streets and maliciously sitting on them.

Sitting for good? No. Sitting for change. Sitting the decency out of America. I once saw a homeless guy crap in a mailbox, you know. Tell me that’s not evil.

“Well,” you’re probably thinking, “why doesn’t someone just kill the homeless.” And that’s fantastic, because I was thinking the exact same thing.

Fourthly: perhaps I didn’t actually see a homeless guy crap in a mailbox. But that’s beside the point, because you know anyone willing to rob an innocent victim (me) of clean laundry (mine) is capable of absolutely anything. Murdering the President, even. I mean, they don’t have guns, true, but I don’t think this an adequate yardstick for measuring character. Homeless people can’t afford guns. Think for a moment, though — what if you could buy guns with change? Then every homeless person would have a gun. No laundry would ever get done. Society would topple, not from the anarchy, but from the stench. It would just sort of keel over. Now, call me wrong, but I find that kind of idea pretty depraved.

The solution? You guessed it, friend. Kill them all.

Finally: as if all of that shrieking and sitting and government official slaughter weren’t enough grounds for a prompt and expedient countrywide eradication of the homeless, they’re also all very ugly. The homeless have passed far from what society would deem conventionally unattractive and landed miles further into a dark carnival of Streisandesque deformity. Yes, your bleeding hearts will moan about their human rights, but I think they’re missing an important point, which is that the homeless are profoundly unsexy.

Coming at the situation from a purely sex-based perspective, the homeless are so useless it’s obscene. Besides, even if you wanted to make love to the homeless — and might I add that I can’t for the life of me imagine a scenario in which this would sound enticing — you’d have to do it in the middle of the street while they pounded on your back and yelled about the Savior of the universe. I propose that this scenario would entice only the most daring enthusiasts. For every other John and Jane Doe out there, though, the homeless are about as useless as sand.

In summation: we have everything to gain by killing the homeless. And even if this ends up not being true, and in fact we gain nothing from it, at least we don’t lose much. It’s not like they were saving our seats in the theater or anything. If they were doing that, there might be a few stragglers to my proposal. As it stands, however, we seem to be in the clear. The only problem I can see is the irrational outrage of a small faction of whiny crybabies.

Bringing me to my addendum: we should probably kill said crybabies before we kill the homeless, so they won’t give us all headaches when we shoot every homeless person in the back. After that, we should probably also kill all the people the homeless people used to hang out with, so they won’t be bringing us down at otherwise-fun parties. And after that, we should probably stop killing people altogether, leaving merely the threat of killing more people if any sass about the homeless killing was forthcoming. But probably no more killing, because at this point we’d have an awful lot of bodies lying around everywhere, so everything would stink pretty bad for a while. I’d guess we’d have to institute at least a six-month grace period before we killed any more people, at which point further suggestions could be submitted for my approval.

Clearly my reasoning is flawless, my methods precise. Grab your weapon of choice, my brothers and sisters, and let’s go kill the homeless! But wait — the crybabies first! Then the homeless! Then the people who hung out with them! Then rounding it all off with follow-up reprimands of death to anyone giving us sass! Then a six-month no-kill grace period! Then a write-in suggestion campaign for further killings!

To the streets!